Pierre Jeanneret (1896–1967) was a Swiss architect and designer renowned for his innovative contributions to modernist architecture and furniture design. A close collaborator of his cousin Le Corbusier, Jeanneret played a pivotal role in the development of the city of Chandigarh, India, where he served as Chief Architect and designed many of its iconic public buildings and residences. His minimalist, functional furniture—characterized by clean lines, natural materials, and a focus on simplicity—remains highly sought after, particularly his iconic teak and cane chairs. Jeanneret’s work reflects a timeless blend of modernist ideals and artisanal craftsmanship.

Charles-Édouard Jeanneret-Gris, known as Le Corbusier (1887–1965), was a Swiss-French architect, designer, and urban planner, celebrated as a central figure in the development of modern architecture. A pioneer of the International Style, he believed architecture should serve both function and society, promoting clarity of form, open space, and modern materials. Among his most groundbreaking endeavors was the master plan for Chandigarh, India, where he collaborated with his cousin Pierre Jeanneret to create a new capital that embodied modernist ideals. This project produced not only civic buildings and urban design but also an extensive canon of functional, timeless furniture for government institutions—pieces that today stand as icons of collectible design. Beyond Chandigarh, Le Corbusier is known for works such as Villa Savoye and the Unité d’Habitation, as well as his furniture collaborations including the LC4 Chaise Longue and LC2 armchair. His Chandigarh partnership with Jeanneret continues to resonate, influencing both architectural thought and the global market for 20th-century design.

Marcel Breuer (1902–1981) was a Hungarian-born modernist architect and furniture designer, celebrated for his innovative use of materials and sleek, functional designs. A Bauhaus alumnus and protégé of Walter Gropius, Breuer revolutionized furniture design with his pioneering use of tubular steel, most notably in the iconic Wassily Chair. Beyond furniture, he also designed minimalist, sculptural lamps that reflected his architectural sensibilities, emphasizing clean lines and functional elegance. His architectural work blends bold geometric forms with a mastery of concrete, evident in landmarks like the UNESCO Headquarters in Paris and the Whitney Museum of American Art in New York. Breuer’s legacy lies in his ability to merge industrial materials with elegant, minimalist aesthetics, shaping the course of 20th-century design.